Grants and Residencies for Fellows
Grants are available to Fellows of The Academy for Teachers. Current grants include The Don Quixote and Bread Loaf Fellowships.
Artist Residency for Teachers
The Academy for Teachers understands how hard it is for teachers who are also working artists to find the space and time to be creative. We are thrilled, therefore, that Foundation House has partnered with us and will host eight teachers for an artist residency of ten days this summer. Residents will be provided housing, three meals a day, and the ability to pursue their art in a supportive, safe, and undisturbed environment.
2025 Foundation House Artists-In-Residence
∆ Academy for Teachers Fellow
Observing pandemic-educated students’ reliance on technology and diminished interpersonal skills, Walker will investigate artificial intelligence as a constructive tool in education. Rather than resisting AI, the work seeks to explore how artists and educators can integrate AI-generated visuals and ideas in ways that promote human connection, creativity, and innovation in learning environments.
Rooted in her identity as an Indigenous-identifying Puerto Rican artist, Marisol will develop a new body of work that infuses visual art with encrypted glyphs and symbolic codes. Drawing from interests in semiotics, cryptography, and eco-poetics, her project subverts colonial modes of communication and challenges power structures. It reflects a shift toward socially engaged art and matriarchal land reconciliation through the lens of abstract visual language and addresses themes of diaspora, female empowerment, and displacement.
Vic will work on a painting series that portrays undocumented New Yorkers with empathy and nuance, capturing the unseen moments of their daily lives. Through intimate oil portraits developed from preparatory sketches, his project challenges the societal invisibility often imposed on these individuals. Vic’s work offers a counter-narrative that highlights their resilience and essential contributions to community life, fostering deeper awareness and compassion among viewers.
Alexander's project, The Harvest of a Dream, blends magical realism, historical reflection, and personal storytelling. Through a series of drawings, he imagines traveling back in time to protect his parents during El Salvador’s civil war. Alex's project explores intergenerational trauma, resilience, and the political dynamics of the 1980s, including U.S. intervention. Combining figurative art and historical inquiry, he seeks to reclaim memory and confront the legacies of colonialism with empathy and imagination.
Connie will work on Guuuuurrrl, a YA memoir centered on a Colombian-American girl’s adolescence in 1980s–90s Brooklyn. Interweaving humor with themes of mental illness, addiction, assimilation, and grief, her narrative provides a fresh, underrepresented voice in American literature. Rich in Spanish, Latin American history, and cultural specificity, Connie’s story will highlight the resilience of a marginalized family navigating trauma and survival.
Joyce will work on a multi-part project combining political commentary and visualization through modular, map-based artworks. She will create a Venn diagram life map, a historical graphic organizer, and a painted series on gerrymandering. Her interactive pieces will feature magnetized portraits and adaptable layouts, inviting viewers to reconfigure narratives and themes. Drawing on the comfort and clarity maps provide, her work will blend geography, identity, and civic inquiry.
Nicky worked on a book proposal about art and education, and two series of large drawings. One series, called “FLAGments,” is about borders; the other, called “FRACKments,” concerns climate change.
melissa worked on a collection of dramatic monologue poems, which give a voice to the ‘Black Ghosts’ of America. The project was inspired by research melissa did into her maternal grandfather, Charlie Dixon, a banjo player in Fletcher Henderson’s band, with connections to Billie Holiday, Bessie Smith, Benny Goodman, and Cora LaRedd.
Niki created pleated fans, flags, and banners from the multicolored, discarded umbrellas she collects from the street, bringing attention to these cast-off, single-use materials, while suggesting a humorous approach to the futility of mass consumption.
At Foundation House, Elena developed a graphic memoir about her relationship to her mother and her mother’s unrealized creative life. The book will adopt the shell-and-pearl structure of the Arabian Nights: a series of late-night conversations with Shahrazad and repeated efforts to “get right” Elena’s mother’s own untold story.
James continued a long-term project investigating the history of Filipinx fiber art. At Foundation House, they reimagined traditional European lace-making techniques through the lens of Filipinx symbols, including those from Batek (Ilocano & Cordillera tattoo) traditions. This is an imagining of reverse colonization—what if Filipinx motifs made their way into European art, rather than the reverse?
Niki continued working on a novel about a strong, charismatic woman, based on her mother, who is bipolar and lives in a society that does not understand mental illness.
Don Quixote Fellowship
When teachers are inspired, students benefit. The Don Quixote Fellowships supports idealistic, romantic, creative, impractical, adventurous projects born of teachers’ passions. Awards up to $5,000 are granted.
Projects can, but need not, be related to classroom practice: a science teacher might study Inuit poetry in Alaska or a pre-K teacher might carve a fifteen-foot marble sculpture. We are looking for applicants who use ingenuity in planning an original experience.
2025 Don Quixote Fellows
In 2025, the Academy is proud to provide five fellowships to teachers, thanks to a partnership with Incite Institute at Columbia University. These Don Quixote Incite Fellows ∆ have exciting work to do, and we are pleased to be working with them and the Incite Institute.
Incite is an interdisciplinary institute at Columbia University. They produce knowledge for public action. They do so by joining with people and organizations within and outside the university to rethink our understanding of what knowledge is, how it’s created, and how it can be used.
Stephen will explore Peru's diverse biomes, from the coastal desert to the rainforest, to document ecosystem diversity and develop science curricula for his special education students.
Alexis will get her hands dirty, deep in vats of slip and blocks of clay in order to learn what clay can do.
Gijon will visit the indigenous people of the Guna Yala islands to document their lives and understand climate change through their eyes.
Julia will travel to Iceland to understand the process of sweater making–from sheep to product–and meet the people behind it.
As part of a research project, Mary will travel to Pensacola, Florida to interview activists organizing around book bans, LGBTQ+ rights, racial justice, and abortion.
Brian Carey, a Rochester native, moved to New York City in 1999 for graduate studies in philosophy. Since 2003, he’s taught English, music, and visual art at the Robert F. Wagner, Jr. Secondary School. Domestic Harmony is a traveling recording project that brings people who inhabit the same physical community—but occupy different social, cultural, political, religious, or economic realities—together in a shared love of singing. The idea is simple: bring two different people who love the same song together and, with the aid of experienced musicians, American folk instruments, and professional recording processes, create an enduring document of a shared human moment.
Rhonda Creed-Harry is an NYC public educator and STEAM specialist passionate about connecting students with math, science, and the arts. She believes in shared wisdom and storytelling experience, and has a background that includes teaching yoga, urban gardening, media studies, crafting, and financial literacy. Her project planned to document personal stories of human connection to plants and herbalism studies, along with a workshop experience. It meant embodied beliefs that education should be a holistic process, and learning about nature can foster a deeper understanding of ourselves and our place in the world, nurturing not just the mind, but also the heart and spirit.
Jennifer Kaplan is from San Francisco, and has studied in Berkeley, Tunis, and Cairo among other places. She is currently a faculty member at Bard High School Early College Queens, where she teaches a wide variety of courses, including world literature, Arabic, Arabic literature, childhood in literature, and fairy tales. Jennifer loves to combine literary experiences with other arts and pleasures. Her project sought to bring together calligraphy, stories from the archives of the Bibliotheque Nationale, and selkie lore in a series of fabric art pieces that existed only in her imagination.
Keira Lapsley has been an educator for twenty-five years; for the past twelve years, she has been the middle-school history department chair and an eighth-grade history teacher at the Ethical Culture Fieldston School. In addition, Keira is also an empowerment coach and an antiracism and equity education consultant. She enjoys spending time with her children, partner, and friends, as well as listening to music, reading, and consuming wellness podcasts. Keira spent a week in South Carolina and Georgia immersing in Gullah Geechee culture and history, examining the African influences of rice farming, indigo production, crafts, culinary traditions, and more.
Emily Moore is the author of the chapbook Shuffle, a CUNY Grad Center PhD, an amateur ukulele songwriter, and the creator of @OutcomeOngoing, an Instagram cartoon about the hilarious subject of pandemic breast cancer. Her Don Quixote dream was to rent the Brooklyn Poets’ June Jordan salon for a late August evening to launch and distribute a small collection of multimedia chapbooks and broadsides about teaching and surviving these past four years, and to provide a celebratory space for friends to share their own paper projects.
Alex Pajares has been an NYC teacher since 2003, teaching mainly global history, art history, and Spanish in some of the most challenging and underserved communities in New York. For the last two years, he has spent weekends working with newly arrived migrant children as a bilingual teacher. In addition to being a teacher of history, Alex is also a dedicated cyclist and serious photographer. During his fellowship, Alex traveled to Rapa Nui (Easter Island) to experience and photograph the island and learn how communication systems separate from the Western tradition developed in that part of the world.
Jacques Hoffmann is the director and founder of internships at Abraham Lincoln High School—a Title 1 school with students from Brooklyn and over 30 foreign countries. He and his colleagues train and supervise over 300 teens annually to work in businesses, government agencies, and nonprofits. Jacques received his BA in sociology, political science, and Spanish from NYU, and his MS in urban affairs from Hunter College. He worked with ministers and lay leaders to take action on policing, public housing, and school issues. During his fellowship he worked with the leaders and teens of a youth development and job-training NGO based in marginal neighborhoods of Kingston, Jamaica.
Dan Strauss has been a New York City teacher since 1997, teaching science, music, and social studies at both the middle and high school levels. For the last six years, Dan has been an internship coordinator and teacher at City-As-School high school in Manhattan. In addition to being a teacher, Dan is a singer-songwriter and multi-instrumentalist. He has released six albums of original music and performs often in the city and around the Northeast. He has appeared on WFUV and NPR and his music is available on all streaming services. During his fellowship, Dan Strauss learned to build a guitar from scratch.
Yenmin Young teaches grades 6–12 at East Side Community High School, in such subjects as physics and astronomy, physical computing with Arduinos, and web development. She develops her own curriculum to match the interests of the students and engages them with real-world applications and projects. The Don Quixote fellowship helped broaden her understanding of deep-space objects, telescopes, and archaeoastronomy, which will enhance her physics curriculum and (hopefully) satiate her students’ endless curiosity about the night sky. Yenmin Young visited observatories to study the night sky above Chile’s Atacama Desert.
Michael Alston is a high school Spanish teacher and PhD student who uses his classroom to teach social justice. His fellowship took him to Colombia and Mexico to research oppressed people who resisted colonial ideologies of race, class, sexuality, and gender.
Nicky Enright, a socially engaged multimedia artist and educator, strives to guide his students to be moral, creative, confident, and expressive, in that order. His “Drawing for German” project advanced his German skills as Don Quixote might have envisioned: by attempting to create portraits of all of Berlin’s 3.6 million residents. He drew every person willing to sit for a conversation in exchange for their original portrait.
For more than seven years, after a career in law and higher education, Mark Goldfarb has taught math in public high schools in New York City, most recently at East Side Community School. He prides himself in demonstrating and investigating math’s practical applications with students. For his fellowship, he traveled to Spain to tour its bridges, ranging from arch bridges built in Roman times to recently constructed suspension bridges. This experience served as a launching point for teaching a unit on bridges in his geometry course.
Arend Thorp, who teaches science and technology, is committed to educating students about their relationship to the planet and encouraging in them a sense of stewardship for the natural world. He traveled to the Bay Islands of Honduras to contribute to the observation and restoration of coral reefs. While there, he used his study of underwater photography to document as many species of life as possible to draw attention to the ongoing anthropogenic mass extinction taking place on Earth.
Juliette Varnedoe has been teaching English at a public high school in Brooklyn for more than 10 years. Her fellowship will bring her to St. Martinville, Louisiana, where she will immerse herself in the sounds and rhythms of Cajun bayou country. She studied Cajun French while developing her songbook, rehearse with authentic New Orleans blues players, and finished writing a suite of French Cajun songs.
Jasper DeAntonio’s math students use statistics to analyze the effects of New York’s built environment. His fellowship funded research on urban design and civic engagement in three European cities—Stockholm, Copenhagen, and Amsterdam—creating a dataset that will serve as a basis of comparison for future classroom inquiries.
Julissa Llosa, a teacher of art and special education, has been taking students on outdoor overnight trips for several years. Her fellowship took her to seven national parks in the Rocky Mountains and Colorado Plateau, where she sharpened her wilderness skills, deepened her appreciation of nature, and gathered stories to share with her students.
Megan Minturn teaches dance in a public school, leads her own dance company, and dances with two others. Having previously studied sabar dance in Senegal and salsa in Cuba, her fellowship allowed her to study orixá dance, capoeira, and Silvestre technique in Brazil.
David Harvey, a math teacher, first traveled with Teachers-2-Teachers Global to Santo Domingo de Onzole in Ecuador. This isolated jungle community, established by escaped slaves, was until recently only accessible by canoe and had no federal funding for education. David will return with his wife, a native of Ecuador and elementary and middle school Spanish teacher, to collaborate with under-trained teachers in under-resourced schools on curricula and other educational issues.
Sarah Murphy, a librarian who teaches theater, co-founded the Tiny Box Theater in her spare time. The group stages unusual puppet shows inside various types of small boxes, for one or two observers at a time. These (very) brief theatrical pieces have been performed at the Figment Festival on Governors Island and other venues. Sarah’s Don Quixote Fellowship will allow Tiny Box to develop a new street theater piece and perform it during the Fringe Festival in Edinburgh, Scotland.
Anita Yu teaches math and started a Women In Science and Engineering group at East Side Middle School. She has long been fascinated by the ways math can intersect with art and has built mathematical sculptures with her students, including a harmonograph and a truncated icosahedron. Her Don Quixote Fellowship will help her realize the long-held dream of attending the Bridges Conference On Mathematical Connections in Art, Music, Architecture, Education, and Culture, this year in Stockholm, Sweden.
Bread Loaf School of English Scholarship
The Academy for Teachers is modeled on The Bread Loaf School of English at Middlebury College, where passionate students, most of them teachers, take inspiring classes in a beautiful mountain setting. Scholarships, offered jointly by the Academy and Bread Loaf, will be awarded to Fellows of the Academy for Teachers who share a passion for literature, a love of creativity, and a devotion to teaching. We hope that six weeks among kindred spirits—reading, discussing, writing, playing—will send them into the next school year rejuvenated.
Marisa Harris started her career as a New York City teaching fellow and has been teaching for eighteen years. She has taught in the Bronx, Brooklyn, Manhattan, Japan, South Africa, and the state of Georgia. Born and raised in Jamaica, she found reading to be her passport to everywhere else. She loves live performance, big cities, public art, and public transit. Her favorite writers are Toni Morrison, Chimamanda Adichie, Thomas Hardy, August Wilson, Gabriel García Márquez, and Fyodor Dostoevsky. Among her favorite books: "Beloved," "The Idiot," "One Hundred Years of Solitude," and "A Brief History of Seven Killings." Marisa loves exploring new places through long, meandering walks, and is looking forward to six weeks without subways and ginormous buildings blocking her view of the sky.
Taryn Martinez teaches living environment and a feminist literacy class at Hunter’s Point Community Middle School in Long Island City, Queens. For the past ten years, she has shared her love of biology, writing, and good books with her students. Taryn holds a BA and an MA in environmental studies from Brown University, where her research focused on environmental justice education. Currently, she also serves as an adjunct instructor at the American Museum of Natural History’s Richard Gilder Graduate School and a Math for America master teacher. Her time outside the classroom is spent reading, bird-watching, and running after her son, Conrad.
Linda Wang is a New York City public high school teacher of Chinese and ESL since 1997. Considered her trademark, Linda incorporates Chinese philosophy, literature, conversation, writings, songs, dance, monologues, and plays into lessons for all her students, from beginner through AP level. Linda motivates her students to use their Chinese language skills in improvised real-life situations.
An avid reader of contemporary fiction, Daniel Guralnick is a graduate of NYU. He earned an MA in comparative literature from UT Austin and taught ESL in Paris before returning to New York City to become a Teaching Fellow. Since then, he has taught English in several NYC public high schools, including The Beacon School and Bronx Collaborative High School. Fluent in Spanish, he has organized and led student exchanges with a school in Madrid. A biker and a runner, he has paced for New York Road Runners and the New York Marathon. He lives in Brooklyn with his partner and their three dogs.
With a long history of combining her passion for education and literature, Angela Jones has been focused on social justice and storytelling for the past twenty years. Originally from Detroit, she was a youth organizer and a performance poetry coach. She came to New York to complete an MFA program at Sarah Lawrence College and began teaching in their Right to Write program with court-involved youth. She has been teaching literature for eight years. She encourages her students to tell their own stories and she strives to introduce students to great authors who, like them, write from the margins of society.
Mina Leazer is a career educator. She earned her BA in French at the University of Pennsylvania, an MA in teaching English as a foreign language at the American University in Cairo, and an MS in library science at Long Island University. She currently works as an English as New Language teacher in the New York City Department of Education, where she advises for The Moth storytelling program, coaches the rowing team, and runs the school radio station.
Lauren Davenport left the corporate world (Nickelodeon) in 2002 to join the NYC Teaching Fellows, and she never looked back. When she’s not teaching AP literature and 9th-grade ELA, she is raising two cool kids and writing. Her fiction has been featured in Ponder Review, Cactus Press, and the Blue Earth Review.
Eric Lewis is a teacher of English and special education at Brooklyn Technical High School. He also writes fiction, with work appearing in the Oxford American, Glimmer Train, the New Ohio Review, and Story magazines. Raised in the South, he now calls New York home.
Jim Pratzon has been a high school teacher in New York City public schools for more than 20 years. Lyons Community School in Brooklyn is where he teaches and directs the Lyons’ Needs Theatre Company. His courses have covered English 9–12, World Religions, Comparative Anatomy, Geography 101, and Shakespeare. He earned his MFA in Acting from NYU and is the recipient of LIU’s Teacher of the Year award and the American Academy of Arts and Letters President’s Citation for Excellence.
A Math for America master teacher, Ashraya taught science in NYC public schools for more than a decade and is interested in the ways storytelling connects to the work of scientists and the lives of students. At Harvest Collegiate High School, her courses included Climate Justice and The Artist as Chemist. She serves as faculty advisor for the school newspaper, the Harvest Tribune. After school, she plays with a punk band of fellow teachers, hikes with and without students, and attempts to learn French.
Timothy Ree teaches literature and writing at Brooklyn Technical High School. He holds a BA in English from Wheaton College (IL) and an MDiv from Yale University. His poems have appeared in the Cortland Review, Saint Katherine Review, and Peregrine. He has received grants and fellowships from the National Endowment for the Humanities, Cave Canem, and Poets House.
Katrina has taught for more than thirteen years in Miami and NYC, most recently at DREAM Charter School in East Harlem. She is a Wilson-certified dyslexia practitioner and intervention specialist, teaching students with language-based learning disabilities and coaching teachers. Her writing has appeared in NANO Fiction, Saw Palm: Florida Literature and Art, and Leslie-Lohman Museum’s the Archive. A VONA/Voices fellow and member of La SoPA NYC: The School of Poetic Arts, she loves puns and narwhals.
Elizabeth Healy has taught English in New York City’s public schools for more than 14 years. At LaGuardia High School she delights in integrating music, drama, visual art and dance with her seniors’ AP Literature and sophomores’ British Literature curricula. She has brought a knack for reaching reluctant students, along with her literary insight and collaborative style, to the inaugural Academy Hamlet seminar as well as programs with NEH, New York Public Library, and Teacher’s College. Elizabeth sings with The Manhattan Choral Ensemble, serves on its board, and performs the role of a lifetime: mother of two.
Monica Rowley has been teaching for over 16 years, in Honolulu, Philadelphia, and New York City. She taught World Literature and AP Research at Brooklyn Technical High School and works as a consultant for the College Board. She is also a creative writer and her work has appeared in Yes Poetry and the Ogham Stone. Her various grants and fellowships include summer study at the Library of Congress and with the National Endowment for the Humanities.
Laura Wang teaches high school chemistry in New York City public schools, most recently at School of the Future. A Fellow of the Academy for Teachers, as well as Math for America and the Knowles Teacher Initiative, Laura incorporates her love of stories and history into her science classes. She and her students have made biodiesel, written letters to the President, and designed public service announcements about the Flint water crisis. She also subjects her students to science jokes on a near-daily basis.
YPC National Choral Conducting Workshop
The Academy for Teachers partnered with the Young People's Chorus of New York City to offer scholarships to Academy Fellows for YPC National's choral-conducting workshop.
Through master classes, performances, and hands-on workshops at Lincoln Center, YPC’s Home Studios, NYU, and the Classical Theatre of Harlem, Fellows will refine tjeir techniques and learn proven methods to create inclusive, transformative music programs that will enrich their classrooms and stages—and inspire the next generation of young singers.
2025 Scholarship Recipients
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